BACCHANAL

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The Triumph of Bacchus

The god’s procession, painted in grisaille to look like carved stone.

What

The Bacchic procession as a relief in paint — a grisaille panel that mimics carved marble, the whole retinue of the wine-god in a frieze.

Why

An 18th-century decorative conceit: paint pretending to be stone, so the party could run around a whole room. A faithful reproduction of a public-domain painting at The Metropolitan Museum of Art.

Notice

Look how the flat grey pretends to have depth — the painter carving with light alone.

“Every age wants its revels cut into something permanent.”

Format

The full-resolution, colour-managed file — yours to print and keep. Editions ship with their certificate.

Sized to protect print quality — this scan's resolution doesn't clear our floor for a physical print, so this piece is offered as a digital download only.

Size

$39.00

Honesty

Reproduction

A faithful reproduction of a public-domain work. Source: The Metropolitan Museum of Art, New York, 07.225.272.

Kind
reproduction
Artist
Piat Joseph Sauvage
Era
France, early 1780s
Source
The Metropolitan Museum of Art, New York
View the public source record ↗

Rights: CLEAR. Public domain — U.S. 95-year rule (source published 1930 or earlier). Cleared by open-access-registrar on 2026-07-18. The Metropolitan Museum of Art — public-domain / open-access. isPublicDomain:true; accession 07.225.272; direct-fetch confirmed 2026-07-18.

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